next oyster perle

first release from the portuguese vinyl only label, dreams come true. born from the childhood dream of his mentor ostinato, dct aim to reflect his passion for vinyl records and electronic music. for this first release, nothing better than bring together friendship, passion and talent. in the last couple of years floog and ostinato became close friends and crafted this release togheter. the original tracks from floog reflect all his versatility fusing minimal with some spicy and tasty vocals, following a different path of the classic rominimal sound. the remixes are the reflection of the label owners personal taste. antraum (traumer and anton) did a huge remix with an infectious groove, a huge bassline, and certain sound complexity that makes you dance from the first to the last beat. ted amber its for sure one of the bastions of the classical rominimal sound. this remix shows all his talent to build unique vibes in each release he does. dreams come true is now unleashed, and we ll keep sharing them with you.

planet rhythm welcomes antic soul.

excelsior ruth ist eine komponistin, dj und produzentin, die im nordosten englands geboren wurde und derzeit in südlondon lebt.

repressin red vinyl !!! agents of time zeigen was sie können ... 4 massive tracks for the peak time! out fav track is track b2 ... gekonnt

die erste ep von somewhere, erscheint von otis mit vier treibenden tracks.

ursprünglich veröffentlicht auf firstcask records 2006, gespielt von einem dj wie aphex twin beim field day 2023.

limited copies!

reissue

lp, limited edition of 500 copies+7inch + 8 page booklet

mixtapes these days come a fraction of a penny a dozen and amid the inundation, a tiny ratio of these mixes truly deserves your precious time. the elusive british dj nommo hunzuu has pieced together one such essential collage for your ears with drinnen traum (translation: indoors dream). over an hour of painstaking aural weaving, nommo hunzuu lures you into his own distinctive aural universe that favors odd juxtapositions and immersive atmospheres laced with complementary film dialogue and gnomic declarations from culture icons like william s. burroughs and timothy leary.

almost otherworldly in its vastness and serene beauty, many musicians have drawn from the well of inspiration that is arizona’s sonoran desert, but few are quite as accomplished or prolific as steve roach. an ambient pathfinder and electronic innovator, his back catalogue as vast as those breathtaking vistas – sonic renderings of arid landscapes littered with saguaro cacti are found in good company alongside didgeridoo-focused experiments and ethereal drifts that navigate the event horizon, between the brilliance of space and a black abyss.
reminiscent of philip glass’ minimalism and the kosmische stylings of tangerine dream, ‘skeleton keys’ seemed to fall somewhere between the two. conjuring expansive meditations amongst the impossible tangle of wires that dangle from his apparatus, roach opens portals from the grand canyon state into a cluster of newborn stars with intricate, intelligent sequencing and modular synthesis.
recorded between 2005 and 2015 from roach’s famed timeroom and timehouse studios, the album was fully realized through advancements in technology, specifically, synthesizers.com’s large format analog modular sequencer. organic, fluid and intuitively kneaded into his spooling soundscapes, it’s now to be committed to cassette for the first time, bridging the synaptic gap with a new ‘expanded’ version that elongates the original 74-minute duration.

during one long winter s night in a neon-lit paris, a restless young man wanders around to let himself be found by something that most people otherwise try to avoid: ghosts. and the night is full of unexpected encounters in this ultra-chic film, which is neither documentary nor fiction, but rather an adaptation of the idea that jacques derrida defines in a guest star appearance on the cinema screen: that film plus psychoanalysis is equal to the science of ghosts - ie. a form of spectrography , which the french artist smith in her self-ironic, self-conscious, science-fiction essay of a film, conjures up with thermal infrared and in the dialogue s mosaic of quotes of rambling french philosophy, from breton and barthes to merleau-ponty and derrida himself. hyper-modern and rich in (retro) references.

classic crossover